泰坦尼克号高清海报

视频简介

Eburi is a 36 year-old man. Nothing enthuses him any more. While being drunk, he promises to contribute a story to a magazine. When he sobers down, he decides to write about the life of a salaried employee like himself who is very ordinary, not particularly talented. The following is his story: In 1949, Eburi gets married to Natsuko. His monthly salary is 8,000 yen and hers 4,000 yen. Therefore, both have to work to support themselves. Eburi has developed a habituIl tendency to pester around when he gets drunk. One year after their marriage, son Shosuke is born. In 1959, Eburi's mother dies in despair of her husband who has become listless due to the several ups and downs of gaining big profits and going bankrupt. His father is still alive and Eburi is enable to find a way to pay his father's debts. He is doubtful if he can make his wife and child happy. Nevertheless, he has somehow managed to survive so far, living in one of the houses at the employee housing quarters. He gives the title "The Elegant Life of Mr. Everyman" to his story of half novel and half essay style. When it is published, it receives the Naoki Literary Prize (the award given in memory of popular writer Naoki Sanjugo). At a party to celebrate his award, he gets drunk and pesters around. Notes The film is based on a novel written in the style of an essay under the same title by Yamaguchi Hitomi, depicting everyday life of a man categorized as "During-the-war Generation" who spent school days during the war and get married to start new life in the struggling post-war era. "Everyman" in the title means an average salaried employee who makes up an overwhelming majority of the city population in Japan, and "The Elegant Life" indicates sarcasm on betterment of the standard of living of ordinary salaried employees accompanied with Japan's economic growth after only a decade from the destroyed post-war period. As depicted in the film, the author Yamaguchi Hitomi was awarded the Naoki Literature Prize for this story. When he established himself well enough to become independent, he quit working as a salaried employee. Director Okamoto Kihachi and the leading actor Kobayashi Keiju belong to the same generation as the author. Exploiting innovative effects such as inserting animation sequences, the film humorously presents compassion of a middle-aged salaried employee. Kobayashi Keiju, who was originally noted for his excellent portrayal of salaried employee, won the best leading actor award of the Mainichi Film Contest for his superb performance in this picture.。1949年9月，开国大典前夕，苏联派出了一支摄影队来到中国，帮助中国拍摄彩色纪录片。他们和中方摄影师合作，走遍大江南北，用苏联独特的电影手法再现三大战役，也记录下当时中国各地的风土人情。本片从这批彩色素材中，挑选了五座最具特色的城市，重返故地，寻访亲历者。用生动的彩色影像，温暖的故事唤起70年前的记忆，让观众感受到新中国的勃勃生机，获得感动和力量。。该片分成上下两部，以纪实的视角着重刻画了奥黛丽赫本的前半生。故事采用倒叙方式，从奥黛丽（Jennifer Love Hewitt饰）拍摄《蒂凡尼的早餐》时开始叙述，在片场中她看见追捧的人们，恍然回到童年时期——那时候家庭富足，有一个疼爱她的父亲，慈爱的母亲。随着二战爆发，她与母亲居住在荷兰的舅舅家，天天饱受战争的恐怖折磨。她渴望看见父亲，但父亲却永远不出现，给她敏感的心灵留下永恒的创伤。此后她成为好莱坞巨星的经历也娓娓道来，包括她并不顺利的爱情之路，最后接回到《蒂凡尼的早餐》的拍摄现场。而《蒂凡尼的早餐》之后的生活经历则以一段话来介绍，完整地展现了奥黛丽•赫本的人生历程。。